Means of SOLUTION of the COMPOSITION AND the COMPOSITE CONNECTION

to clothes as an object of decorative art possessed artistic qualities necessary to unite all elements into a coherent form. Such a Union is performed on the basis of proportionality, coherence and subordination of all the elements. 
Means of solution of the composition is the proportions, rhythm and symmetry. 
Following his idea, the artist should first of all find the most expressive of the ratio of pieces of clothing, i.e. proportionality - proportion.
The shape of each of the clothing items, which constitute the costume consists of several parts. This compartmentalization of the clothes is caused by the dependence of its shape to the shape of a human figure, design and purpose of clothes, quality of the material from which it is executed and process for its manufacture. In addition, the nature of the division of clothing and costume as a whole is influenced by the demands of artistic expression suit. 
The splitting of the uniforms is achieved by the structural and decorative lines. The first is: the bottom of the sleeves and the entire product line vrachevanie sleeve in the armhole, the contour lines of the collar, etc.; to the second - different decorative stitches, lines, parts of line character (valves, leaflets, belt), finishing lines, and ornamentation of fabric.

Uniforms can be divided horizontally (Fig. 33, a, b), vertically (Fig. 33) and the diagonal (Fig. 33, g). There are two kinds of division: full, i.e. solid, and incomplete, i.e. discontinuous. In the first case the attire really is divided into parts (see Fig. 33, a), the second division is only illusory (see Fig. 33,6). Connecting to different constructive and decorative lines, Lenasia form, you can create diverse forms of clothes, to give her the required proportions, and to emphasize the importance of one or another part of the clothes, set the balance of the whole form.
  Symmetry is the full equality of one half of a whole other half to be completely matched location and size of all incoming in the form of clothing items, lines and other elements of the composition relative to the axis of symmetry. The symmetry axes of the human figure and clothing are the vertical line in the middle of the front and back. Symmetry as a means of harmonious composition that forms a tranquil equilibrium of parts and components. The axis of symmetry is simultaneously the axis of balance.
In the practice of modeling clothing solution, the composition can be based also on incomplete symmetry on asymmetry. In both cases, a necessary condition for the harmonicity of the model is to balance asymmetrical with respect to the axis of the balance. This is achieved by introducing in the form of constructive and decorative lines, details, fabrics, finishes, visually creating a balance asymmetrical pieces of clothing (Fig. 34, 35). 

The WAYS AND means of EXPRESSION of COMPOSITION of the MODEL 

Projected a clothes model can be expressed in two ways and types of composition:
1. Composition on the plane with two dimensions. 
2. Bulk composition in the space, having three dimensions. 
The first way of expressing artistic intent of the design of the clothes is carried out by technical means of drawing in the thumbnail. 
The second way is mock-up - tattoos. 
Through drawing, the artist not only represents your project, but also develops the composition of the clothes.
By repeated sketches and variations of the basic shape of the model, changing the proportions and ratios of lines and individual details, the artist achieves a complete solution the composition of the developed model.

There are many fine technical means and artistic techniques design, expressing the intent of the designer. Of them in the modern practice of modeling the most common graphic transfer design: 
1) solid pattern (Fig. 36) - pencil, pen, brush, etc.; 
2) monochromatic pattern in conjunction with a color (Annex 3).

When you render the model in a solid figure it is necessary to clearly draw the silhouette, cut, shape parts, and accessories that complement the clothes. To more fully and clearly Express the artistic merits of the composition models of clothes, a sketch can be supplemented by samples of the materials necessary for the execution of this project. 
If the composition of the models expressed by means of the drawing, includes trim ornamental embroidery or lace, it should be depict in an enlarged scale or full size on a separate sheet of paper.
Sketches performed by a monochromatic pattern and colors are the most expressive. The color combined with clear contour lines and lines that reveal the design and details of the model, a visual representation of the texture or pattern of the materials in the sketch are representative of the nature of the suit.
Work on the sketch must begin with a definition of the format of a sheet of paper or cardboard and finding the best arrangement of drawing of a human figure on this sheet. The pose of the figure and the various turns must be carefully designed to precisely and clearly convey the characteristics of your design. Then a pencil outline the contours of the silhouette and proportion of all parts of the shape of the model, draws constructive and decorative lines, the details, define the location and shape of the trim (if it is included in the composition of clothing). At the same time outline the shape of hair and the necessary additions to suit.Next, check and clarify the proportions of and the interrelatedness of all parts of the form of the suit among themselves and with the human figure. Making the composition necessary changes, figure now worked more carefully. After that, the design is applied in the pre-selected paint colors and shades, and then with a brush, pen or marker identify the contours of the shape.
Usually the contour lines of the silhouette clothes that make thick, rich, and lines indicating the structural seams, Darts, details, light, thin.
The sketch, which revealed fit and finish, shows all the complementary model objects (hat, shoes, bag, etc.), accurately reflects the intent of the artist. However, he does not give a complete reflection of the volumetric shape model.
To identify three-dimensional shape model is used the second way of expressing the concept - modeling or the tattoo, i.e. the creation of the spatial composition. With the help of tattoos the mock-up fabric (usually calico) on the mannequin or the human figure, the artist creates the desired shape. This method allows you to more clearly Express the features of three-dimensional form of the model, find its proportions, to determine the nature of design and finish. Smetana and primereniya on a specific human figure, the tattoo is essentially the benchmark model.Great value modeling is in the simulation of the lightweight women's dresses and outerwear cut complex, and the development of new solutions clothing patterns promising areas of fashion.
In modeling the draped clothing tattoo-modelling is the only tool enabling us to Express the plastic features of the draperies, their shape, depth and direction. The advantage of prototyping is that three-dimensional form, then translated onto a plane, can serve as a pattern model. For this layout separated into its component parts (struts joints) every part laid out on a sheet of paper and carefully outline, verifying all the connecting lines (sections).
When developing compositions often use both: first a sketch, then produce a patch, updating the model of the plan model.