Principles of the SOLUTION the MAIN PART of the ensemble of 

Clothing, which is the basis of the ensemble, is a set. Depending on the destination and season sets consist of various types of the lung and the upper dress, such as dress and coat suit and cloak, coat and Trouser suit, Cape and Romper with blouse-shirt. Sets can consist of two or more things. But these things were organically related to one another and perceived as a whole, their modelling is necessary to observe basic principles and rules of artistic decision. 
  Form and volume. For ensemble, consisting of items the top and light clothing, mandatory coherence, hierarchy of forms and volumes. Schematically, this hierarchy is represented in Fig. 351. The ensemble consists of three pieces: dresses, jacket and coats, designed in the same form - poluprilegayuschy with a small extension downwards. With this similarity shapes each part of the ensemble sequentially put on one another, should be bigger previous. This eliminates deformation of any part of the kit and keeps the desired silhouette. 

The kit can be composed of clothing from different shapes and volumes; also you should follow the rule of consistency forms. In Fig. 352, a and b the left half of the schema illustrates the hierarchy of forms of dresses and coats, the silhouette of which has obvious differences. In the diagram (Fig. 352, a), this subordination is represented by the similarity of the volumes of dresses and coats in which the interconnectedness of complete products is obvious. In the diagram (Fig. 352, b) the difference between the volumes of dresses and coats expressed contrast; subordination forms of lesser amount of the dress shape and volume of the coat determines their close relationship. In both cases, is kits.Dresses and coats are shown in the right half of the schemes cannot be considered sets, as the incompatibility of the shapes and volumes of the skirts and dresses of the appropriate part of the coat in the first case, and the dramatic difference of the same characteristics bodice with cap sleeves and the relevant parts of the coat - second - rule out the combination of these types of clothes.
The sharper, more contrast external differences of the shapes and volumes of the clothes, combined in one ensemble, so peculiar, dynamic form. Contrast is one of the methods of the art solutions through which you can achieve a significant expression of the ensemble. A typical example of such solutions are coats or capes flying silhouette in combination with a thin, figure-hugging dress or Romper (Fig. 353, 354). 

Thus, the basic techniques of composition decision ensemble of clothing and light dresses are the combination products of the same shape and the same volume of different forms, do not differ dramatically, our volumes and products that have a contrasting shape. 
  The unity of the design. Solutions based on the principle of the unity of the design, depend on specific types of clothing that make up a particular ensemble and design techniques specific to this area of fashion. The simplest solution is the repetition of the same constructive lines. This way ensures, for example, the unity kit of models in the ensemble consisting of dress and coat (Fig. 355). 

A more complex technique is the use of individual structural lines or elements of construction one article for shaping the other. Here is a kind of development, variation design rather than a straight repetition. Such, for example, the solution set shown in Fig. 356. The main element of a constructive solution to coat the yoke with cap sleeves - designed in relation to the construction of lightweight dresses. Line and Flirty in your dress somewhat higher than in the coat, changed the shape and size of yoke; a vertical line tucks are much elongated. Like this dress and coat are one.
In Fig. 357 shows the ensemble, which vary three constructive elements: set-in sleeve with shoulder strap, belt loops. belt and podkralas flank. Coat wide shoulder straps sleeves accentuate stitching, the upper section of the belt is at the level of the waist line, the line the barrel was straightened. Dress shoulder straps narrower belt higher and narrower, the line of the barrel is more curved. 
  The unity of detail and finish. An important principle of creating an ensemble is to develop a single detail or decorative element common to all parts of the ensemble.

Such are the decisions of sports ensemble for the winter holiday and elegant spring-summer set (Fig. 358, 359). The first varies the location of the decorative element fastener; the second link is trim-patterned braid. Example of the development of one part of it is the ensemble consisting of a suit and coat (Fig. 360). Specific details coat large lapel collar and patch pockets - used suit, but on a smaller scale and in a different relationship to design and form.
In the solution of the ensemble of clothing can be used simultaneously by the same structural lines, details and finishes, including the same findings (Fig. 361). 

  The commonality of materials. Often the ensemble is build using to execute component apparel the same fabric. An example is a dress and coat made of wool tweed (Fig. 362). 
The relationship of the clothing items may also be entered through the use of two different materials. This method is more dynamic as it allows for a wide variety of solutions to the ensemble. In the practice of modeling has developed four stages of art, the decisions of the ensemble based on the use of two different but harmonizing with each other materials. 
1. The kit consists of three parts, two parts are made of the same fabric (Fig. 363). Here in a coat and vest used a plain fabric that goes well with dress and headpiece.
2. One of the parts of the ensemble is solved in the combination of two different materials, for executing another part of the taken one of them. In Fig. 364 presents combo dress in faux leather and wool thick fabric herringbone, leather coat and the same hat, the components along with the dress completed the ensemble.
3. Both are applied in the ensemble of the material used in each model of clothing. This principle finds particularly wide application in the simulation of ensembles of clothes and double-sided fabrics or fabrics with components resolved in a single color, but decorated differently (smooth patterned cells or peas large scale with the same pattern of small scale, etc.).

In Fig. 365 shows the solution of the dress and coat, which used both sides differently decorated material; Fig. 366 presents the three-piece costume made of fabrics-companions. Both fabrics-solid, smooth and embossed with a geometric pattern comprised within the composition of each part of this set. 
4. The use of the materials for the one of the products of the ensemble and its use as a lining in another. This method not only combines all of the parts, but also gives the completeness of the entire kit. Such are the decisions of the ensembles depicted in Fig. 367, 368.