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Home » Articles » The basics of the art of designing clothes

Form and creative expression of contents in a suit

The TECHNIQUES of FIGURATIVE EXPRESSION IN the COSTUME of 

the Traditional methods of artistic decisions samples of historical and folk costumes are studying creatively on a new build and use in the design of various clothes and add-ons: hats, shoes, etc., together constituting the modern suit. 

In Fig. 102 shows the models of women's suits and coats made based on people's ' clothes: Russian blouses, Ukrainian shirts, and Circassian.
Here on the basis of existing fashionable silhouettes used the location of the finish of folk clothes: embroidery, clasps Russian Ukrainian blouses and shirts, collar and Hazira Circassian. The suit (Fig. 102,a) based on Russian blouse jacket consists of a straight shape of the tissue a brown color, trimmed with black Astrakhan fur, with zipper on the hinged loops. The suit is complemented by a hat of Astrakhan black fur. In a suit based on a Ukrainian shirt (Fig. 102, b) the jacket straight shape pulled in at the waist belt with zip lines brown Karakul.On the edge strips of fur sewn loop of cord. The buttons are made of the same cord.
In Fig. 102, in the depicted hat coat and dress, is made based on the clothing of peoples of the Caucasus from the black drape. Patch pockets trimmed with flaps of black broadtail or klama. Hat of the same fur complements the coat. 

In Fig. 103 shows a weekend women's dresses, developed based on the folk costumes of Estonia and Ukraine.
In Fig. 103, and shows the dress with a short jacket, designed based on the shape of the female folk costume Estonia in Fig. 103, b, C, black dresses crepe tank top and tunic, developed based on the folk costumes of Ukraine. Typical assemblies dresses neck trim with embroidery of beads on the sleeves, hem, sleeveless and the hem of her tunic-apron.

Figure 22 shows womens winter coat with fur-trimmed hood and red Fox embroidery on the collar and sides. Coat contemporary forms inspired folk clothes of our North. The main figurative expression of this coat is its brown-red color and the shape of the hood, borrowed from samples of fur peoples of the North.
Figure 23 depicts a colorful summer set for girls consisting of a skirt of cotton fabric with a picture on motives of folk art, bright small blouse and short jacket. This costume is given as an example of use of the material with the ornamentation of the popular character.
All the examples use and recycling of motifs in the folklore and national costumes in the design of modern clothes can differ from each other in image expression and production art tasks. The artist in his work can figuratively decide to Express the selected motifs as a certain theme, like "plot" or "motto", subjecting the subject, the entire choice of man, material, shapes, finishes.In this case, the suit takes on the properties of "spectacular", in which the transformation of man, the suit becomes the main and people adapting to it. The suit is like fine character.
In another case, the artist uses a variety of motives as an artistic material through which he expresses the image of the new costume subordinate to the man and the purpose of the suit. Here it is impossible to determine the "theme" or "story", but only emotional expression of the purpose of costume, beauty of form and beauty of person for whom made this costume.The images created by the fashion designers to suit different purposes, can proceed from modern and approved forms of clothing adopted by the fashion at this period of time, qualities, properties and characteristics of existing and new materials, finishes.
In these cases, the imagery projected suit is also based on the emotional expressiveness of the architectonic forms and has a fine nature (e.g., numerous models of clothes based on "Space"). 
But whatever the sources used by the artist in search of a variety of motives, no matter what ways these motifs do not occur, a necessary requirement for the novelty of their creative solution.
Often in search of the right emotional decisions that suit certain motifs in its design are the use of certain items. For example, put and consider such items as: various shape ceramic vases, wooden toys or fruit.
Considering these items can be used as a motif outline or the shape of a vase to develop the General silhouette of women's dresses, and the contours of the pear - shape skirt. You can use a combination of texture, color, material and finish vases for selection of color, texture, material and workmanship. When using such auxiliary "productions" in the design of the costume is, there is no need to emphasize the visual nature of the shape transfer of a specific subject. Such "performances" are only supposed to help the artist in finding a motive of emotion and novelty of figurative solutions suit.

For example, in Fig. 104 schematically shows how to use this kind of auxiliary "productions". In the upper part of this figure shows: a ceramic vase for flowers (Fig. 104, a), pear (Fig. 104, b) and wooden toy - barrel (Fig. 104, b), at the bottom, sketches of clothes, made for this accessory "productions". In Fig. 104, g depicts evening dress spaghetti strap draped bodice. In the sketch of this dress used lines and proportions of the vases. In Fig. 104, d shows the dress, the skirt shape of which resembles a pear. In Fig.104, depicted coat trimmed with fur at the collar and hem, the form of which is clearly reminiscent of the shape of the barrel. All the arts are means of communication between people. Art is the second special language in which many important things you can say better and more fully than in ordinary language.
The quality of each art is defined by its expressive possibilities. The scientific presentation of the issues of beauty, emotion also aimlessly as the presentation of mathematical formulas or technical problems in verse form. If the audience understood all what I wanted to say the artist, then form it works perfect to transfer his thoughts and feelings. 
However, like any language, the language of art is only a means to communicate their thoughts and feelings.
The value of any artwork is determined by what's new added artist to what has been said previously. The basic Foundation of the language arts clothes-suit form the primary elements of form: geometric shape, size shape, weight, texture, color, material and finishes. 
Using this primary form elements in their various States with the help of a number of compositional relations: relations, proportions, rhythm and symmetry, using various kinds of associations, we can build one or another artistic image of the costume, and through him to Express certain thoughts, feelings, ideas.



Category: The basics of the art of designing clothes | Added by: 26.10.2017
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