THE ESSENCE OF THE COMPOSITION AND TYPES OF COMPOSITION IN A SUIT 

The artistic solution of clothing in the design of its models in the study of discipline "Special composition of the suit."

  Composition is the Union of all elements of the form of the artwork into an organic unified whole, expressing a figurative, ideological and artistic content of the work.

In the applied arts there are two types of composition:

1. The composition on the plane with two dimensions.
2. Volume composition having three dimensions.

To composition on the plane include the decoration of articles such as fabrics, carpets, Wallpapers, various piece goods, tablecloths, scarves, etc.

Body composition deals with artistic costume: clothing, shoes, hats, etc.

  arrangement in a clothes - compilation of all elements of its shape the means of building unity for the expression of its content.

Objects of applied art, in particular clothing, are a unity of content and form. Moreover, the shape of the garment is dependent on its content. The content of clothing defines its purpose, i.e., for whom and for which it is intended.

Composition of the form of clothing lead to the disclosure of its content.

Simulation of the clothing process is the creation of fashion, and the main part of this process is the artistic decision of clothing composition.

In any artistic work, all the elements composing it must be justified. All unnecessary or not well Express the author's idea should be discarded. Of course, that the composition of clothing (as in the fine arts) is not always easy to explain the feasibility of the artistic technique, sometimes in complex relationship with a number of other factors.

The different form elements of the costume, and combinations thereof, because of the nature of our vision and some associations, are perceived differently. This is the main property of the composition. But it is impossible not to take into account that the mechanical combination, when elements of the form of costume, the clothes still are not leading, as the socio-ideological factors often change our view of the song as if coherent, properly organized (this is the well-known effects of socio-ideological relations of man to the perception and understanding of beauty).

The composition consists of a special artistic language through which the artist conveys ideas and feelings, reflect the reality.

You should also understand what the artistic image as a form of reflection of reality. Let us explain this first by the example of the art of painting.

In painting an accurate picture of the reality of the image, despite all its technical perfection, is not yet art. The exact image will be the admiration of a wonderful technique, but these emotions are accompanied by valid artwork, but not the main.

If the precise picture of the artist deprived of the opportunity to show their relation to the represented, as it does not violate the absolute similarity.

If works of several well-known artists to compare with reality, we can see that the image of these artists never fully conveys the reality, but only displays it with a certain point of view. The artist reveals primarily that he consciously or intuitively considers to be particularly important, especially in this case.

The result of the active relation to reality is not just an image (the exact image), but the artistic image of reality. In it the artist, summing up the individual part stresses from their point of view the most important characteristic. Hence, in such works seen world and social identity of the author.
The same is observed in the simulation suit, with the only difference that here we use the means not of fine character. Works of art from utilitarian values, as clothing is not allowed, as a rule, thematic expressions of reality, as in painting; here is a demonstration of imagery is expressed differently, not as a visual image, and not graphic means, and associations.

The imagery in suit is achieved by means of architectonics tools, specific for a number of spatial-dimensional applied arts. Most of the costume affects his emotional side. You can talk about the strict, calm, dynamic, easy, rich, harsh, and other character clothing. Costume figuratively reflects reality, causing certain emotions.

Visible us items (costume) affect our senses, mainly vision. Vision gives us the ability to focus in reality, to know it and change to their advantage.

Thus, these visual sensations are the starting point for a complex psychological process, analysis, understanding and processing the ideas and concepts. In the development of this complex psychological process, we are faced with the emotional reaction of our senses to perceive objects.
The multiple repetition of perception produces certain reflexes that can in Association to cause a certain emotional image, a certain mood.

Speaking of colors, distinguish them as cold and warm colors of spring or fall colors. The difference between the words "dark" and "light" is not only eye color, but also emotional value, such as "dark forces", "bright mind", "pure soul" - these emotions are connected with our Association.

As a certain character have perceived the spatial relationships of shape, form itself, of its parts. The emotions that arise in this case, due to the fact that the shapes of the objects and clothes, their color, shape and other qualities connected with the concepts of rest, motion, rise, fall etc., i.e. the ideas about the mechanical properties of bodies, characterizing their position in space.

This can be seen if we compare the emotional effect on humans of different lines and geometric shapes. In Fig. 10 shows some of the geometric lines. If you compare the emotions caused by these lines, one can immediately feel the difference between them: horizontal line - the rest of the horizon; vertical - aiming for the top; sloping line - the instability, the fall; broken line - alternating motion; wavy line uniform motion, the swing; the spiral - rotation.
 

From the comparison shown in Fig. 11 the two triangles it is seen that squat form the first triangle, whose base is a lot greater than its height, causes a very different impression than looking up form the second triangle. Consider the three triangles in Fig. 12. Notes that the stability, balance and dynamics of each triangle shape is quite different.

Whatever the shapes we considered, we see that different shapes are perceived differently. If you look at the figures depicted on Fig. 13 and Fig. 14, it is possible to be sure that different shapes cause different emotional feelings.
 

Referring to the accepted metaphors of "slack line", "hard line", "dynamic line", "severe", "mild", etc., you can see that here the adjectives have emotional impact, it suggests that human nature reaction to all shades of the visible properties of the real world. In the emotional reactions of people on various forms of the world around them is, of course, a lot of subjective, individual, however, fundamentally, all human experiences are objective.This is due to the fact that people have produced and shared a strong emotional attitude to all objects that are involved in their lives and activities.

The difference in the perception of form, color and other facilities is often the result of differences in social status of people. Chernyshevsky with a convincing simplicity has proven this by showing the difference between the evaluations of the appearance of women from the point of view of representatives of different social groups of human society: aristocrat, merchant, peasant.

On the basis of perception and it becomes possible emotionally-expressive human creativity in the field of applied art modeling costume. Transfer various emotions, the imagery in the costume and expressed with composition. In modeling clothing all sides of the object - model it is necessary to take in such relationships and relationships to guide them to the solution of the main task, which should answer a clothes model in each case.Properties same clothes as three-dimensional forms with them combinations when composing needs to be focused on the expression and embodiment of content invested in the model of clothing from both functional-technical and artistic-ideological, taking into account all possible relations of man to this model, taken in specific circumstances.
In the creative work of artist and designer on the composition of the costume is one of the main tasks is to find and the transfer of such ratios and relationships of elements of the form of costume that would identify and facilitate the expression of artistic quality created clothes.

Different character combinations and relationships of elements of the form of costume, even in their primary properties and characteristics three-dimensional form, may contribute to the expression of the content in clothing. These moments are the composite material for the artist-designer (for the expression of artistic content of the suit).