DIVISION FORMS 

Considering the clothes, which suit a person, we see that it is not monolithic, but consists of a number of parts. This compartmentalization of the uniforms called in the following circumstances: 

• dependence of the shape of the clothes to the shape of the human body and its construction;
• dependence of uniform technological process of manufacture and quality of the material from which it is performed; 
• the dependence of the uniforms of its purpose and the requirements of artistic expression.

To put even such simple geometric solids like cone, cylinder, sphere has done a first sweep of their three-dimensional surfaces on the plane, separate it into its component parts. 

Deployed on the plane surface of the cone consists of two parts. The cylindrical surface will be three parts, and the ball will a minimum of eight parts. Sweep cone, cylinder, sphere shown in Fig. 31. 

Form of the human body has a complex configuration and put it much more complicated.

Scan clothes fitting surfaces of the individual parts of the human body, on the plane of the material from which it is made, is a task that deals with the science of "Designing clothes". The design develops the foundations of structures of different cut, determining the balance and the degree of volume clothing.

Fundamentals of design various clothes determined by its range, belonging to one or other group names. For example, in women's clothing to distinguish the groups: jackets, coats, dresses, skirts, pants, vests, blouses, tunics, aprons, etc.; in the menswear group: jackets, pants, vests, jackets, blouses, shirts, coats, overalls etc. 

In each group the basics of design and balance are almost identical and differ only in the value of individual components and the degree of fit of clothing human body for various structural zones: the shoulder, chest, waist, waist, etc.

Fundamentals of design of any group of clothes consist of the smallest number of components. So, for female coat casual basis consists of parts: the back, shelves, sleeves, and collar. Depending on the form of a sleeve distinguish products with vtachnoy sleeve (one-piece, double seam, gusset pouches), with a Raglan sleeve and proregion (also with a different number of stitches) and with cap sleeves. In Fig. 32 shows the principal structures of the coat.

The women's dress consists of parts: bodice, skirt, sleeves. Bodice - the upper part of the dress consists of back and front, skirt from the front and rear parts (panels). Depending on the form of a sleeve distinguish gowns with set-in sleeve, Raglan sleeve, with cap sleeves. The skirt can be of one-piece and mnogozonnoy, i.e. consisting of several parts. 

In Fig. 33 shows principal designs of dresses. 

The same can be said about other types of clothing.

Division of clothing into its component parts also depends on the width of the materials from which it is performed. The materials have the different width: from 45 to 155 cm With narrow materials possible to manufacture some forms are restricted and even impossible. For example, you cannot cut out bodice dresses with cap long sleeves from a material with a width of 50 - 60 cm is Often necessary in the manufacture of products from narrow materials to make additional dismemberment clothes, thus complicating the overall shape of the garment.Limited genuine leather makes great items - a back or front coat - two or three pieces, dismembering them on the chest, waist or hips. In Fig. 34 shows such divisions.

In other cases, the products of a certain shape (for example, coat fitted shape) have to dismember because of the difficulty in processing this material. In Fig. 35 shows the partitioning of the coat fitted shape. All these divisions are due to the requirements of the constructive and technological nature. 

But there are other types of partitioning uniforms, caused by the requirements of the purpose of clothing, her artistic expression.

Clothing that meets only the utilitarian and practical requirements, can not satisfy anyone. From clothes requires that she was still beautiful, and adorned the person making it slim, attractive, etc. 
Clothes can accentuate the figure of a man, or hide its flaws, bring out the natural proportions of the human body or their pimp.

This kind of partitioning will determine the position of the line of the chest, waist, hips, thighs, knee, Shin, forearm, elbow, wrist, etc. the length of the clothes may depend on its purpose and artistic value attached to her. For example, different length long evening dresses, daytime casual dresses and dresses for figure skating (Fig. 36). Men's trousers for different purposes also have different lengths: long, regular trousers, wear trousers, to trousers type Golf or bridge, wear with stockings, leggings or boots, and short above the knee different types of shorts.

Length of a jacket or coat in male and female dress can be very different, depending on the division of the suit as a whole. The jacket can be very .short, barely reaching to the waist, and can be long, a little closes the skirt (Fig. 37).

Position details: belt, strap, pockets, buckles and others also depends on the design and artistic articulations of clothes.

Which means the division of a dress form in the costume are there? It is primarily constructive lines, i.e., the bottom of the front and back, cuffs, contoured collar, line vrachevanie sleeve in armhole, etc. Then various kinds of decorative lines, decorative stitches, stitch, part, linear, trim, embroidery, buttons, buckles etc.

Partitioning can be of two types: full or solid partitioning, and partial - illusory or discontinuous articulation. In the first case, the partitioning has the form of a valid separation of the form into pieces (Fig. 38). In the second case, the division is an illusion of separation of the form into pieces (Fig. 39).

Division uniforms can be horizontally, vertically and diagonally. Partitioning horizontally gives a clear idea about the main articulations of the human figure emphasizes the significance of a particular form. Partitioning vertically enable the establishment of equilibrium, of stability. Divided diagonally destroys the balance of the form or emphasizes the asymmetry of the garment, gives it the liveliness, mobility. 

The types of articulations clothing: horizontally, vertically and diagonally is shown in Fig. 40.

THE COMPOSITE CONNECTION OF THE PARTS OF THE FORM

All properties clothing, like body shape, of course, in isolation from each other does not exist only in their entirety can be characterized. 

This analysis of the elementary properties of clothing, as a form, only reveals the possibilities of education on the basis of regularities of visual perception form other more complex properties and qualities of clothing as an object of applied art. One of the main conditions of artistic quality of clothes is unity (relationship) in all its form elements, i.e., proportionality, consistency and the hierarchy of their creating a holistic perception of the form. Such means of constructing the unity of the primary elements of form are: various types of relations and proportions, the rhythmic and metric of magnitude and symmetry.