SET AND ENSEMBLE IN the CLOTHES 

so far dealt with the properties of clothing and different means of communication parts of the application to the individual forms of garments constituting the suit. But the suit consists of a number of garments and add-ons, connected by unity of purpose, human use. 

How is the selection and preparation of all parts of the suit? The definition of this selection can be of two types: set and ensemble. 

  The kit (from the Latin word completus - full), a full set of clothes and items, its complementary that meets a particular purpose.

So, in relation to clothes say: travel set kit beach kit service, sports set. 

Travel kit depending on the season and other requirements may consist of a coat, cloak and dress (or jacket), blouses, trousers, skirts. Set for beach: dress, blouse, shorts, swimsuit. Set: coat, blouse, skirt, vest, jacket. Sports set may consist of coats, jackets, blouses, skirts, trousers. Separate sets of make and supplements for different purposes (bag, gloves, shoes).

Clothing, the components of the kit are linked by a unity of purpose and artistic solutions. Every thing included, you must have completed art solution and at the same time to be related to other things included in the package.

Based on the selection of outfits and its add-ons can make a suit a specific purpose and use. But to achieve complete artistic unity on the basis of selection sets is not possible, because in addition to the connection of the individual items that make up the suit, require their subordination. Kits are not built on the principle of subordination, as in the interchangeability of parts kit, depending on destination. The replacement of one garment to another, taken from a set, must not violate its integrity.For this clothes that make up the kit, in its subordination should be equal to each other, but necessarily connected with purpose and artistic decision.

Examples of three sketches developed sets it is shown how the contact part of the costume kit.

Figure 2 shows a sketch of the set sport type for the young man. The kit consists of shirt, trousers, blouses, short coat, shoes, scarf. Here clothes are related to each other based on the relationship of colors to each part of the costume. Shirt and pants are connected by the identity of color - brown, dark. Blouse, pants and shirt are connected, on the one hand, the contrast of lightness (light blouse, dark pants) and nuance brown blouses. Scarf is associated with a blouse nuance color tone and coat with a contrast green shades with an orange tone coat.Coat associated with pants brown knit trim collar and pockets. Shoes tied by the identity of color with the pants, shirt, coat finish. In addition, the blouse and the coat are connected nuance of texture and contrast along with the smooth texture of the scarf, shirt, pants, shoes.

Figure 3 shows a sketch of the set for girls consisting of a hooded coat, sweatshirts, vest, pants (skirt), boots, shoes, stockings. In addition to the relations, based on the relationship of color, texture parts of the suit that is similar to the previously disassembled sketch, here added of Association based on the rhythmic repetition of forms pockets of her coat and vest.

Figure 4 shows a sketch of the set for a teenage girl. This kit has a lot of things and can be used for walking, for home, at the rink. The kit consists of: coat, hat, blouse, short jacket, sleeveless, shawl-scarf, and boots. The relationship of the parts of this kit is also based on color piece set and second trim lines, recesses, buckles, pockets.

Thus, the development of any set purpose every part of the composite to solve as a finished product, thus linking all the parts together. Connection piece set to build on the use of relations and rhythmic repetition for any composite form elements: color, texture, line and silhouette, etc. the Greatest opportunities of these links have the relations: identity, nuance and contrast of color, texture and pattern of the material; and the repetition of various finishes and details.

In the ensemble, in contrast to kit, and clothing, and its complement is coordinated and subordinated among themselves, correspond to a single artistic decision and the purpose of the suit. The ensemble is distinguished by the subordination of the parts of the suit, relationship with the person, its activity, situation, time of year, time of day, environment, nature, town, village, interior, and transportation.

In the ensemble nothing, you can neither add nor subtract nor replace, without its violation. Ensemble in a suit must have some part, as dominant over other parts, and subordinate parts are also not equivalent between themselves. All the parts of the ensemble together form a coherent whole in which individual items are mutually interrelated through form, material, purpose.
The main means of communication of the parts of the costume in the ensemble same as that in the preparation of sets: relations and rhythm of the form controls, finishing of component parts of the ensemble. But the subordination of these parts, the degree of subordination of their needs to be different. For example, the ensemble consists of a dress, coat, hat, shoes, gloves, handbags, jewelry. Some of these items will be the main, and the other its complement, accentuate, highlight.

Figure 5 shows summer dressy evening ensemble. Dress and coat made of printed chiffon on the cover of nylon taffeta, the hat is a turban of the same chiffon. Gloves blue-green color chosen to match the dress and coat. The main part of this ensemble, of course, the dress. Simple shape coat opens deep V-neck dress, accented with several rows of beads. The value of the dress highlighted the complexity of its shape and visual movement, which is created by turban, beads and lines of the coat. Turban and gloves finish the ensemble, creating a closed volume shape.As can be seen from this example, all parts of the ensemble consists of composite unity of the whole and clean or replace any part without breaking the ensemble is impossible.

Figure 6 shows summer ensemble for a young woman. The ensemble consists of a coat dress in two parts, supplemented with hat, gloves and shoes. The whole ensemble is based on the color ratio of nuance and nuanced repetition of certain lines form coats and dresses. Hat, gloves and shoes are connected by sameness of color and repeat the color of the background fabric of the dress. The ensemble is dominated dress, special printed pattern "sun", which makes it stand out relative coat, made of colored cotton cloth of fine texture.

Repetition in color add-ons: hats, gloves, shoes - creates a closed volume of space the shape of the entire ensemble. 

Figure 7 shows an example of the ensemble output spring costume for women, complemented by hats, gloves, shoes. The basis of the ensemble, its main part is the suit itself. Additions associated with the suit against the color of kinship (yellow-green), and their color identity encloses the volumetric space of the ensemble. 

Thus, the distinctive features of the composition of any ensemble of clothing are:

1. Definiteness - specificity assignments of all component parts of the ensemble (the man, his work, the environment). 

2. The General art style of the component parts of the ensemble (fashion direction). 

3. Finished the composition of each part, as forms. 

4. Concordance - the relationship of parts of the ensemble together. 

5. The subordination of the parts of the ensemble. 

6. The allocation of the main part of the ensemble and its readability. 

7. Isolation of parts of the ensemble in the unity of spatial forms.

Isolation of parts of the ensemble, the unity of the spatial forms created by items of costume, finishing it, closing the head, the hands, the feet. 

In the examples it was the headgear (hat), shoes, gloves. To supplements that covers specified parts of the human body, include: shawls, stockings, socks, etc. to Stay on these supplements should because performing utilitarian in costume, they can perform the same final role in the ensemble.

In 1966 - 67. newly in Vogue colored and fishnet stockings: blue, red, green, purple etc. the Color tone increases the importance of stocking to suit women. Scarves in the ensemble can replace headgear and also be important. Headdress in the ensemble can be compensated by hair or any decoration: ribbon, bowknot, comb etc. 

Gloves can be replaced with decorations such as wrist bracelets, rings. So many costumes of the peoples of hot countries often end, are complemented by the bracelets on his head, hands and feet.